Recorded at the abandoned substation off Route 7. The hum you hear is entirely real — 60hz mains frequency bleeding through the transformer casings. I kept the wind noise in. Three takes; this one had the best low end. The clicking around the 2:30 mark is something I still can't identify.

Rough mix from the February session. Recorded direct from the board, no post. The tape flutter around 3:00 is real — the machine is old and I like what it does to the high end. This will probably get mixed properly at some point. Maybe.

January. Found an old barn with a corrugated roof during a downpour and just held the recorder up. No edits, no fade. The variation in pitch as the rain intensity changed is the whole point.

Single-take drone recorded direct to cassette, then re-recorded through a small speaker in a tiled bathroom. The reverb is the room, nothing else. I've been working on this series for about a year. This is the one I keep coming back to.

Slow manual sweep of the full AM band, late at night, recorded off the headphone jack. You get fragments of broadcasts, dead air, heterodyne interference, and at one point something that sounds like a numbers station but probably isn't. Unedited. Six minutes.